2020 03 27: paintings

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We, more or less, all have hair. Sometimes we grow tired of our own and acquire new ones. This is a sensitive, texturally rich artwork that speaks of transformation, identity, and inner metamorphosis. Using textiles, canvases of varying sizes and paints, a fragmented yet emotionally unified image emerges evoking the sense of a new beginning hidden in simple, yet symbolically charged gestures.

The textures and forms suggest touches, fragments of memories, or thoughts quietly weaving their way beneath the skin. The piece balances between softness and strength, visibility and concealment, inviting the viewer not only to observe but to feel.

 

 

75x77x3 cm

acrylic, spray paint, plastic shapes, textile, lacquer on 2 canvases

2020 03 23: paintings

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Ordinary shadows are usually transparent. They are soft, until the sun becomes too intense. But this one is different. Thick. Soft. Opaque.

In this artwork, the shadow ceases to be a mere reflection of absent light and becomes a material object – a dark, heavy plane covering something that remains a secret. It is an abstract vision of what can be concealed and remain unreachable, unknown.

The composition relies on contrasts of layers: light and darkness, soft and rough, transparent and opaque. This is no longer just a shadow, it is a veil, an obstacle. A silent yet striking ruler, hiding more than it reveals.

 

 

76x72x3 cm

acrylic, graphite, plastic shapes, various textile, lacquer on canvas

2020 03 15: paintings

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Part of this artwork is composed of mirrors layered with various materials and textures. It feels somewhat empty, yet knows how to fill itself. I invite the gaze to turn inward through symbolic associations.

The painting’s structure conceals and arranges thought through hints – parts overlap, revealing and simultaneously masking. Symmetry seems present, yet incomplete, as if paused. Perhaps this is a nod to our uniqueness, personal irreplaceability, a contrast to mechanical perfection.

The mirror engages not only the gaze but the viewer themselves. Everything reflected on its surface becomes part of the artwork. The viewer not only observes but is observed, offered a chance to see themselves as part of the artwork. Can the gaze upon one’s reflection be different, not judging, inquiring?

If you look directly at this work, you see yourself in a mirrors. You may pick an angle that does not reflect you or you can try to ignore the reflection and see the whole piece differently, ignoring the mirror view. Is that possible?

 

 

60x96x3,5 cm

acrylic, markers, graphite, aluminum, mirrors, lacquer on canvas

2020 03 3: paintings

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space is pretty much unknown.
moon is also unknown.
dark side of the moon is even less known.
it is so mysterious, you know…

 

60×88 cm